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Jose Ortega Y Gassett, The Revolt Of The Masses

CHAPTER IX: THE PRIMITIVE AND THE TECHNICAL

ELPENOR EDITIONS IN PRINT

         IT IS much to my purpose to recall that we are here engaged in the analysis of a situation- the actual one which is of its essence ambiguous. Hence I suggested at the start that all the features of the present day, and in particular the rebellion of the masses, offer a double aspect. Any one of them not only admits of, but requires, a double interpretation, favourable and unfavourable. And this ambiguity lies, not in our minds, but in the reality itself. It is not that the present situation may appear to us good from one view-point, and evil from another, but that in itself it contains the twin potencies of triumph or of death.  There is no call to burden this essay with a complete philosophy of history. But it is evident that I am basing it on the underlying foundation of my own philosophical convictions. I do not believe in the absolute determinism of history. On the contrary, I believe that all life, and consequently the life of history, is made up of simple moments, each of them relatively undetermined in respect of the previous one, so that in it reality hesitates, walks up and down, and is uncertain whether to decide for one or other of various possibilities. It is this metaphysical hesitancy which gives to everything living its unmistakable character of tremulous vibration. The rebellion of the masses may, in fact, be the transition to some new, unexampled organisation of humanity, but it may also be a catastrophe of human destiny. There is no reason to deny the reality of progress, but there is to correct the notion that believes this progress secure. It is more in accordance with facts to hold that there is no certain progress, no evolution, without the threat of "involution," of retrogression. Everything is possible in history; triumphant, indefinite progress equally with periodic retrogression. For life, individual or collective, personal or historic, is the one entity in the universe whose substance is compact of danger, of adventure. It is, in the strict sense of the word, drama.[1] 

[1]Needless to say, hardly anyone will take seriously these expressions, and even the best-intentioned will understand them as mere metaphors, though perhaps striking ones. Only an odd reader, ingenuous enough not to believe that he already knows definitively what life is, or at least what it is not, will allow himself to be won over by the primary meaning of these phrases, and will be precisely the one who will understand them- be they true or false. Amongst the rest there will reign the most effusive unanimity, with this solitary difference: some will think that, speaking seriously, life the is process of existence of a soul, and others that it is a succession of chemical reactions. I do not conceive that it will improve my position with readers so hermetically sealed to resume my whole line of thought by saying that the primary, radical meaning of life appears when it is employed in the sense not of biology, but of biography. For the very strong reason that the whole of biology is quite definitely only a chapter in certain biographies, it is what biologists do in the portion of their lives open to biography. Anything else is abstraction, fantasy and myth.

 

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