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St. Sophia
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Page 5
Throughout his long reign Justinian was greatly interested in promoting the construction of monuments of civil and religious architecture in various places of his enormous empire. Upon conquering Ravenna he finished the construction of those churches which had been begun under the Ostrogothic sway. Among these churches two are of particularly great importance from an artistic point of view. They are the Church of St. Vitale and the Church of St. Apollinare in Classe (the Ravennan port, Classis). The main artistic value of these churches lies in their mosaics.
About three miles from the city of Ravenna, in the deserted marshy locality occupied in the Middle Ages by the prosperous trading port of the city, rises the simple outline of the Church of St. Apollinare in Classe, representing in shape a genuine ancient Christian basilica. On one side of this church stands the round campanile constructed later. The interior has three naves. The ancient sarcophagi, decorated by sculptural images and situated along the church walls, contain the remains of the most famous archbishops of Ravenna. The mosaic of the sixth century can be seen in the lower part of the apse. It represents St. Apollinare, the protector of Ravenna, standing with raised arms, surrounded by lambs, in the midst of a peaceful landscape; above him, on the blue starred sky of the large medallion, beams a jeweled cross. The other mosaics of this church date from a later period.
For the study of the artistic achievements of Justinian's period the church of St. Vitale in Ravenna contains the most valuable material. Here the mosaics of the sixth century have been preserved almost intact. The domed church of St. Vitale is covered on the inside from top to bottom with marvelous sculptural and mosaic decorations. The apse of this church is particularly well known because the two most famous mosaics are found on its two side walls. One of them represents Justinian surrounded by the bishop, the priests, and his court; the other is a picture of his wife, Theodora, with her ladies. The garb of the figures in these pictures is very striking in its splendor and magnificence. Ravenna, sometimes referred to as an Italian-Byzantine Pompeii, or la Byzance occidentale, offers the most valuable material for the evaluation of early Byzantine art of the fifth and sixth centuries.
A History of the Byzantine Empire - Table of Contents
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Reference address : https://ellopos.net/elpenor/vasilief/st-sophia.asp?pg=5
