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St. Sophia
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Page 4
The influence of Constantinopolitan construction was felt in the East, for instance, in Syria, and in the West in Parenzo, in Istria, and especially at Ravenna.
St. Sophia may impress and charm now by its dome, by the sculptural ornaments of its columns, by the many-colored marble facing of its walls and floor, and still more by the ingenuity of its architectural execution; but the marvelous mosaics of this remarkable temple have heretofore been inaccessible, because they were painted over during the Turkish period. ...
An excellent conception of Byzantine mosaics exists in the West in the northern Italian city of Ravenna. Fifteen hundred years ago Ravenna was a prosperous city on the Adriatic coast. During the fifth century it served as a refuge of the last Western Roman emperors; in the sixth century it became the capital of the Ostrogothic kingdom, and finally, from the middle of the sixth century to the middle of the eighth century, it was the administrative center of Byzantine Italy reconquered from the Ostrogoths by Justinian. It was the home of the Byzantine viceroy or exarch. This last period was the brilliant period of Ravenna, when political, economic, intellectual, and artistic activity poured forth in an abundant stream.
The artistic monuments of Ravenna are bound up with the memory of three persons: first, Galla Placidia, the daughter of Theodosius the Great and the mother of the western emperor, Valentinian III, second, Theodoric the Great, and third, Justinian. Putting aside the earlier monuments of the time of Galla Placidia and Theodoric, we shall speak briefly only about the Ravenna monuments of Justinian's time.
A History of the Byzantine Empire - Table of Contents
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Reference address : https://ellopos.net/elpenor/vasilief/st-sophia.asp?pg=4
