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Please note that Mommsen uses the AUC chronology (Ab Urbe Condita), i.e. from the founding of the City of Rome. You can use this reference table to have the B.C. dates
From: The History of Rome, by Theodor Mommsen
Translated with the sanction of the author by William Purdie Dickson
Page 34
The temple in fine, which in the period of the empire was called the Tuscanic and was regarded as a kind of style co-ordinate with the various Greek temple-structures, not only generally resembled the Greek temple in being an enclosed space (-cello-) usually quadrangular, over which walls and columns raised aloft a sloping roof, but was also in details, especially in the column itself and its architectural features, thoroughly dependent on the Greek system.
It is in accordance with all these facts probable, as it is credible of itself, that Italian architecture previous to its contact with the Greeks was confined to wooden huts, abattis, and mounds of earth and stones, and that construction in stone was only adopted in consequence of the example and the better tools of the Greeks. It is scarcely to be doubted that the Italians first learned from them the use of iron, and derived from them the preparation of mortar (-cal[e]x-, -calecare-, from --chaliz--), the machine (-machina-, --meichanei--), the measuring-rod (-groma-, a corruption from --gnomon--, --gnoma--), and the artificial latticework (-clathri-, --kleithron--).
Accordingly we can scarcely speak of an architecture peculiarly Italian. Yet in the woodwork of the Italian dwelling-house--alongside of alterations produced by Greek influence--various peculiarities may have been retained or even for the first time developed, and these again may have exercised a reflex influence on the building of the Italian temples.
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Reference address : https://ellopos.net/elpenor/rome/1-15-art.asp?pg=34