Reference address : https://ellopos.net/elpenor/greek-texts/ancient-greece/plato/plato-politeia-2.asp?pg=22

ELPENOR - Home of the Greek Word

Three Millennia of Greek Literature
PLATO HOME PAGE  /  PLATO COMPLETE WORKS  /  SEARCH PLATO WORKS  

Plato : POLITEIA

Persons of the dialogue: Socrates - Glaucon - Polemarchus
 - Adeimantus - Cephalus - Thrasymachus - Cleitophon
Translated by Benjamin Jowett - 75 Pages (Part 2) - Greek fonts
Search Plato's works / Plato Anthology / The Greek Word Library

Plato notes @ Elpenor = Note by Elpenor 

POLITEIA part 2 of 3, 4, 5

Part 1

ELPENOR EDITIONS IN PRINT

The Original Greek New Testament

Plato in print

This Part: 75 Pages


Part 2 Page 22

Then he will adopt a mode of narration such as we have illustrated out of Homer, that is to say, his style will be both imitative and narrative; but there will be very little of the former, and a great deal of the latter. Do you agree?

Certainly, he said; that is the model which such a speaker must necessarily take.

But there is another sort of character who will narrate anything, and, the worse lie is, the more unscrupulous he will be; nothing will be too bad for him: and he will be ready to imitate anything, not as a joke, but in right good earnest, and before a large company. As I was just now saying, he will attempt to represent the roll of thunder, the noise of wind and hall, or the creaking of wheels, and pulleys, and the various sounds of flutes; pipes, trumpets, and all sorts of instruments: he will bark like a dog, bleat like a sheep, or crow like a cock; his entire art will consist in imitation of voice and gesture, and there will be very little narration.

That, he said, will be his mode of speaking.

These, then, are the two kinds of style?

Yes.

And you would agree with me in saying that one of them is simple and has but slight changes; and if the harmony and rhythm are also chosen for their simplicity, the result is that the speaker, if he speaks correctly, is always pretty much the same in style, and he will keep within the limits of a single harmony (for the changes are not great), and in like manner he will make use of nearly the same rhythm? That is quite true, he said.

Whereas the other requires all sorts of harmonies and all sorts of rhythms, if the music and the style are to correspond, because the style has all sorts of changes.

That is also perfectly true, he replied.

And do not the two styles, or the mixture of the two, comprehend all poetry, and every form of expression in words? No one can say anything except in one or other of them or in both together.

They include all, he said.

Previous Page / First / Next Page of this part

Politeia part 3 of 4, 5. Back to part 1. You are at part 2

  Plato Home Page / Bilingual Anthology   Plato Search ||| Aristotle

Three Millennia of Greek Literature

 

Greek Literature - Ancient, Medieval, Modern

Elpenor's Greek Forum : Post a question / Start a discussion

Learned Freeware

Reference address : https://ellopos.net/elpenor/greek-texts/ancient-greece/plato/plato-politeia-2.asp?pg=22

Copyright : Elpenor 2006 -