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Translated by S. Butcher and A. Lang
Rhapsodies of the Odyssey
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Page 7
By the time the Odyssey was composed, it is certain that a poet had before him a well-arranged mass of legends and traditions from which he might select his materials. The author of the Iliad has an extremely full and curiously consistent knowledge of the local traditions of Greece, the memories which were cherished by Thebans, Pylians, people of Mycenae, of Argos, and so on. The Iliad and the Odyssey assume this knowledge in the hearers of the poems, and take for granted some acquaintance with other legends, as with the story of the Argonautic Expedition. Now that story itself is a tissue of popular tales,--still current in many distant lands,--but all woven by the Greek genius into the history of Iason.
The history of the return of Odysseus as told in the Odyssey, is in the same way, a tissue of old marchen. These must have existed for an unknown length of time before they gravitated into the cycle of the tale of Troy.
The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the Odyssey, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem. We now go on to sketch the plot, which is a marvel of construction.
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