Homer ILIAD : Rhapsody 4

Page 5

Thus spoke Minerva, and she persuaded his mind for him, unthinking one. Straightway he uncased his well-polished bow, made from [the horn of] a wild, bounding goat, which he indeed surprising once on a time in ambush, as it was coming out of a cavern, struck, aiming at it beneath the breast; but it fell supine on the rock. Its horns had grown sixteen palms from its head; and these the horn-polishing artist, having duly prepared, fitted together, and when he had well smoothed all, added a golden tip. And having bent the bow, he aptly lowered it, having inclined it against the ground; but his excellent companions held their shields before him, lest the martial sons of the Greeks should rise against him, before warlike Menelaus, the chief of the Greeks, was wounded. Then he drew off the cover of his quiver, and took out an arrow, fresh, winged, a cause of gloomy ills. Forthwith he fitted the bitter arrow to the string, and vowed to Lycian-born Apollo, the renowned archer, that he would sacrifice a splendid hecatomb of firstling lambs, having returned home to the city of sacred Zeleia. Having seized them, he drew together the notch [of the arrow] and the ox-hide string; the string, indeed, he brought near to his breast, and the barb to the bow. But after he had bent the great bow into a circle, the bow twanged, the bowstring rang loudly, and the sharp-pointed shaft bounded forth, impatient to wing its flight through the host.

Nor did the blessed immortal gods forget thee, O Menelaus;[174] but chiefly the spoil-hunting daughter of Jove, who, standing before thee, averted the deadly weapon. She as much repelled it from thy body, as a mother repels a fly from her infant, when it shall have laid itself down in sweet sleep. But she herself guided it to that part where the golden clasps of the girdle bound it, and the double-formed corslet met.[175] The bitter arrow fell on his well-fitted belt, and through the deftly-wrought belt was it driven, and it stuck in the variegated corslet and the brazen-plated belt which he wore, the main defence of his body, a guard against weapons, which protect him most; through even this did it pass onwards, and the arrow grazed the surface of the hero's skin, and straightway black gore flowed from the wound. And as when some Maeonian[176] or Carian woman tinges ivory with purple colour, to be a cheek-trapping for steeds; in her chamber it lies, and many charioteers desire to bear it, but it lies by as an ornament for the king, both as a decoration to the steed, and a glory to the rider: so, Menelaus, were thy well-proportioned thighs, and legs, and fair feet below, stained with gore.

[Footnote 174: It is elegantly observed by Coleridge, p. 160, that "it is principally owing to our sense of the dramatic probability of the action of the divinities in the Iliad that the heroes do not seem dwarfed by their protectors; on the contrary, the manifest favourite of the gods stands out in a dilated and more awful shape before our imagination, and seems, by the association, to be lifted up into the demigod."]

[Footnote 175: "Occurrebat sagittae, obvius erat ei penetranti."—Heyne. But it is better to understand, "where the plates of the cuirass meet and overlay the [Greek: zoma]."—Arnold.]

[Footnote 176: I.e. Lydian.]

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Rhapsody 4

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