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Aristotle ON THE SOUL Complete

Translated by J. Smith.

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We have now explained the cause why colour cannot be seen otherwise than in light. Fire on the other hand is seen both in darkness and in light; this double possibility follows necessarily from our theory, for it is just fire that makes what is potentially transparent actually transparent.

The same account holds also of sound and smell; if the object of either of these senses is in immediate contact with the organ no sensation is produced. In both cases the object sets in movement only what lies between, and this in turn sets the organ in movement: if what sounds or smells is brought into immediate contact with the organ, no sensation will be produced. The same, in spite of all appearances, applies also to touch and taste; why there is this apparent difference will be clear later. What comes between in the case of sounds is air; the corresponding medium in the case of smell has no name. But, corresponding to what is transparent in the case of colour, there is a quality found both in air and water, which serves as a medium for what has smell-I say 'in water' because animals that live in water as well as those that live on land seem to possess the sense of smell, and 'in air' because man and all other land animals that breathe, perceive smells only when they breathe air in. The explanation of this too will be given later.

Part 8

Now let us, to begin with, make certain distinctions about sound and hearing.

Sound may mean either of two things (a) actual, and (b) potential, sound. There are certain things which, as we say, 'have no sound', e.g. sponges or wool, others which have, e.g. bronze and in general all things which are smooth and solid-the latter are said to have a sound because they can make a sound, i.e. can generate actual sound between themselves and the organ of hearing.

Actual sound requires for its occurrence (i, ii) two such bodies and (iii) a space between them; for it is generated by an impact. Hence it is impossible for one body only to generate a sound-there must be a body impinging and a body impinged upon; what sounds does so by striking against something else, and this is impossible without a movement from place to place.

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Reference address : https://ellopos.net/elpenor/greek-texts/ancient-Greece/aristotle/soul.asp?pg=41