Vasilief, A History of the Byzantine Empire

The Heraclian epoch (610-717)

Literature, learning, and art 

Page 4

In the field of hagiography one might point out the patriarch of Jerusalem, Sophronius, who lived through the Arabian siege of the sacred city and wrote an extensive narrative of the martyrdom and miracles of the Egyptian national saints, Cyrus and Johannes. This work contains much information on geography and on the history of manners and customs. Still greater in interest are the writings of Leontius, bishop of Neapolis in Cyprus, who also lived in the seventh century. He was the author of several lives, among which the Life of John the Merciful, archbishop of Alexandria in the seventh century, is particularly valuable for the history of the social and economic life of the period. Leontius of Neapolis differs from the great majority of hagiographs in that he wrote his Lives of Saints for the mass of the population; hence his language reflects a strong influence of the popular spoken language.

In the field of church hymn-writing the seventh century is represented by Andrew (Andreas) of Crete, a native of Damascus, who spent the major part of his life in Syria and Palestine after they had come under Arab sway. He was later appointed archbishop of Crete. As a writer of hymns he is famous chiefly because of his Great Canon, which is read even today in the orthodox church twice during Lent. Some parts of the Canon show the influence of Romanus the Hymn-writer (Melode). The Canon reviews the principal events of the Old Testament, beginning with the fall of Adam, and the words and deeds of the Saviour. This brief survey of literary events during the dark and trying years of the Heraclian dynasty shows that most of the limited number of Byzantine writers of the period came from the eastern provinces, some already under the new rule of the Muslim conquerors.

In view of the external events of the Heraclian dynasty, it is not surprising that no monuments of art of that period exist today. However, the very small number of surviving monuments of the seventh century speak clearly of the solidity of the foundations laid for the artistic life of Byzantium in the Golden Age of Justinian the Great. And though, beginning with the second half of the sixth century, Byzantine art makes itself felt only very slightly within the Empire, its influence in the seventh century is very clearly marked beyond the borders of the Empire. A number of dated churches of Armenia represent splendid examples of Byzantine influence. Among these are the Cathedral of Edgmiatsin (Etschmiadzin), restored between 611 and 628, and the church of the citadel of Ani (622). The mosque of Omar at Jerusalem, built in 687-90, is a purely Byzantine work. Some frescoes of Santa Maria Antica at Rome belong to the seventh or the beginning of the eighth century

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