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Please note that Mommsen uses the AUC chronology (Ab Urbe Condita), i.e. from the founding of the City of Rome. You can use this reference table to have the B.C. dates
From: The History of Rome, by Theodor Mommsen
Translated with the sanction of the author by William Purdie Dickson
Page 63
All the effect in his case lies in the details; and with great art certainly every effort has in this respect been made to conceal the irreparable want of poetic wholeness. Euripides is a master in what are called effects; these, as a rule, have a sensuously-sentimental colouring, and often moreover stimulate the sensuous impression by a special high seasoning, such as the interweaving of subjects relating to love with murder or incest.
The delineations of Polyxena willing to die and of Phaedra pining away under the grief of secret love, above all the splendid picture of the mystic ecstasies of the Bacchae, are of the greatest beauty in their kind; but they are neither artistically nor morally pure, and the reproach of Aristophanes, that the poet was unable to paint a Penelope, was thoroughly well founded. Of a kindred character is the introduction of common compassion into the tragedy of Euripides. While his stunted heroes or heroines, such as Menelaus in the -Helena-, Andromache, Electra as a poor peasant's wife, the sick and ruined merchant Telephus, are repulsive or ridiculous and ordinarily both, the pieces, on the other hand, which keep more to the atmosphere of common reality and exchange the character of tragedy for that of the touching family-piece or that almost of sentimental comedy, such as the -Iphigenia in Aulis-, the -Ion-, the -Alcestis-, produce perhaps the most pleasing effect of all his numerous works.
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Reference address : https://ellopos.net/elpenor/rome/3-14-literature-art.asp?pg=63