THE HISTORY OF OLD ROME

III. From the Union of Italy to the Subjugation of Carthage and the Greek States

From: The History of Rome, by Theodor Mommsen
Translated with the sanction of the author by William Purdie Dickson

Chapter XIV - Literature and Art

» Contents of this Chapter

Page 57

This comedy was also based on the new Attic intrigue-piece; it was not translation, however, but imitation; the scene of the piece lay in Italy, and the actors appeared in the national dress,(37) the -toga-.

37. Cf. II. VII. First Steps toward the Latinizing of Italy

Here the Latin life and doings were brought out with peculiar freshness. The pieces delineate the civil life of the middle-sized towns of Latium; the very titles, such as -Psaltria- or -Ferentinatis- , -Tibicina-, -Iurisperita-, -Fullones-, indicate this; and many particular incidents, such as that of the townsman who has his shoes made after the model of the sandals of the Alban kings, tend to confirm it. The female characters preponderate in a remarkable manner over the male.(38)

38. Of the fifteen comedies of Titinius, with which we are acquainted, six are named after male characters (-baratus-? -coecus-, -fullones-, -Hortensius-, -Quintus-, -varus-), and nine after female (-Gemina-, -iurisperita-, -prilia-? -privigna-, -psaltria- or -Ferentinatis-, -Setina-, -tibicina-, -Veliterna-, -Ulubrana?), two of which, the -iurisperita- and the -tibicina-, are evidently parodies of men's occupations. The feminine world preponderates also in the fragments.

Previous / First / Next Page of this Chapter

Do you see any typos or other mistakes? Please let us know and correct them

The History of Old Rome: Contents ||| The Medieval West | The Making of Europe | Constantinople Home Page

Receive updates :

Reference address : https://ellopos.net/elpenor/rome/3-14-literature-art.asp?pg=57