MY MIND opened naturally and joyously to a conception of antiquity. Greece, ancient Greece, exercised a mysterious fascination over me. In my fancy the pagan gods and goddesses still walked on earth and talked face to face with men, and in my heart I secretly built shrines to those I loved best. I knew and loved the whole tribe of nymphs and heroes and demigods- no, not quite all, for the cruelty and greed of Medea and Jason were too monstrous to be forgiven, and I used to wonder why the gods permitted them to do wrong and then punished them for their wickedness. And the mystery is still unsolved. I often wonder how

God can dumbness keep
While Sin creeps grinning through His house of Time.

It was the Iliad that made Greece my paradise. I was familiar with the story of Troy before I read it in the original, and consequently I had little difficulty in making the Greek words surrender their treasures after I had passed the borderland of grammar. Great poetry, whether written in Greek or in English, needs no other interpreter than a responsive heart. Would that the host of those who make the great works of the poets odious by their analysis, impositions and laborious comments might learn this simple truth! It is not necessary that one should be able to define every word and give it its principal parts and its grammatical position in the sentence in order to understand and appreciate a fine poem. I know my learned professors have found greater riches in the Iliad than I shall ever find; but I am not avaricious. I am content that others should be wiser than I. But with all their wide and comprehensive knowledge, they cannot measure their enjoyment of that splendid epic, nor can I. When I read the finest passages of the Iliad, I am conscious of a soul-sense that lifts me above the narrow, cramping circumstances of my life. My physical limitations are forgotten- my world lies upward, the length and the breadth and the sweep of the heavens are mine! (...)

One could have traveled round the word many times while I trudged my weary way through the labyrinthine mazes of grammars and dictionaries, or fell into those dreadful pitfalls called examinations, set by schools and colleges for the confusion of those who seek after knowledge. I suppose this sort of Pilgrim's Progress was justified by the end; but it seemed interminable to me, in spite of the pleasant surprises that met me now and then at a turn in the road.

To Mrs. Laurence Hutton
Wrentham, February 20, 1898.

(...) I resumed my studies soon after your departure, and in a very little while we were working as merrily as if the dreadful experience of a month ago had been but a dream. I cannot tell you how much I enjoy the country. It is so fresh, and peaceful and free! I do think I could work all day long without feeling tired if they would let me. There are so many pleasant things to do- not always very easy things,- much of my work in Algebra and Geometry is hard: but I love it all, especially Greek. Just think, I shall soon finish my grammar! Then comes the "Iliad." What an inexpressible joy it will be to read about Achilles, and Ulysses, and Andromache and Athene, and the rest of my old friends in their own glorious language! I think Greek is the loveliest language that I know anything about. If it is true that the violin is the most perfect of musical instruments, then Greek is the violin of human thought.

To Mr. John Hitz
12 Newbury Street, Boston, February 3, 1899.

(...) My friend said, she would sometime show me the copies of the marbles brought away by Lord Elgin from the Parthenon. But somehow, I should prefer to see the originals in the place where Genius meant them to remain, not only as a hymn of praise to the gods, but also as a monument of the glory of Greece. It really seems wrong to snatch such sacred things away from the sanctuary of the Past where they belong.