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From, Homer's Odyssey: A commentary
[Please note that the Table of Contents here published, is created by Elpenor and is not to be found in the print version]
Page 84
Such is the originative, prophetic character of Phaeacia, which the reader must take profoundly into his soul, if he would understand the genetic history of Greek spirit. Verily the poet is the maker of archetypes and reveals in his shapes all that his people are to become.
Thou, old Homer, wert the first builder in Greece, the first carver,
Afterward she could but turn fancies of thine into stone;
Architects followed thee, building thy poem aloft into temples,
Sculptors followed thee too, thinking in marble thy line.
Nor must we forget the Industrial Arts here suggested—weaving, ship-building, the working of metals; in general, there is hinted the varied transformation of nature, which begets a civilized life. Agriculture is present, also horticulture, which the garden of Alcinous presupposes. Such, then, is the grand frame-work for the social order as here portrayed.
But the chief art of the Homeric world has not yet been given, though it is at work now, and is just that which has reproduced Phaeacia with all its beauty. This is the poet's own art, which having set forth the other arts, is next to set forth itself. Accordingly we are to see the poet showing the poet in the following Book, which may, therefore, be named the Book of the Bard. Thus we pass out of the industrial and plastic arts of Phaeacia, into the supreme art, the poetic, as it manifests itself in the Phaeacian singer.
Cf.
Pharr, Homer and the study of Greek * Odyssey Complete Text
Iliad Complete Text * Homer Bilingual Anthology and Resources * Livingstone, On the Ancient Greek Literature
More OnLine Resources on Greek History, Places, Texts, Language
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Reference address : https://ellopos.net/elpenor/greek-texts/ancient-greece/snider-odyssey.asp?pg=84
