Snider, A Commentary on the Odyssey of Homer - I

From, Homer's Odyssey: A commentary
[Please note that the Table of Contents here published, is created by Elpenor and is not to be found in the print version]

We now come to one of the most famous passages in Homer, describing the palace and garden of Alcinous. First of all, we must deem it the outer setting of this Phaeacian world with its spirit and institutions, the framework of nature transformed which takes its character from within. Civilized life assumes an external appearance corresponding to itself; it remodels the physical world after its own pattern. The result is, this garden is in striking contrast with the bower of Calypso, which is almost a wild product of nature. The two localities are mirrored surrounding each home respectively. Again we observe how Homer employs the description of scenery: he makes it reflect the soul as its center.

In a certain sense we may connect these Phaeacian works with Pallas, who has directed Ulysses hither; they are the works of intelligence. The arts and the industries spring up through the transformation of nature. Here is first noted the palace of the king with certain hints of its materials and construction; especially have the metals been wrought and applied to human uses. Gold, silver, steel, brass or bronze are mentioned in connection with the palace and its marvelous contents. Thus an ideal sense of architecture we note; still more strongly indicated is the feeling for sculpture, the supreme Greek art. Those gold and silver watch-dogs at the entrance, "which Vulcan made by his skill, deathless and ageless for all time;" those golden boys "upon their well-built pedestals holding lighted torches in their hands" are verily indications that the plastic artist has already appeared. The naive expression of life which the old poet gives to the sculpturesque shapes in the palace of Alcinous, is fresh as the first look upon a new world, which is indeed now rising.

But not only the Fine Arts, the Industries also are touched upon. Weaving is specially emphasized along with navigation, one being the Phaeacian woman's and the other being the Phaeacian man's most skillful work. Other occupations are involved in these two. Thus is marked the beginning of an industrial society.

After the palace the garden is described with its cultivated fruit-trees—pear, pomegranate, apples—a good orchard for to-day. Of course the vineyard could not be left out, being so important to the Greek; three forms of its products are mentioned—the grape, the raisin, and wine. Finally the last part is set off for kitchen vegetables, though some translators think that it was for flowers. Nor must we omit the two fountains, such as often spout up and run through the Greek village of the present time.

Undoubtedly fabulous threads are spun through this description. Quite too lavish a use is made of the precious metals in the house of Alcinous, as in some fairy tale or romantic ballad; so much gold is found nowhere outside of wonderland. In the garden fruit is never wanting, some of it just ripe, some still green, some in flower. No change of season, yet the effect of all seasons; surely a marvelous country it appears; still we learn that in Campania are some sorts of grapes which produce thrice a year. A mythical garden is indeed the delight of human fancy. Eden has its counterparts everywhere. Indeed a significant parallel might be drawn between Greek Phaeacia and the Hebrew Paradise; in the one, man unfolds out of savagery, in the other he is created at once by a divine act. Can we not see Orient and Occident imaging themselves in their respective ideal products? The one from below upwards, the other from above downwards; both movements, the Greek and the Hebrew, belong to man, and have entered into his civilization. The next world-poet, Dante, will unite the two streams.

D. Snider
A Commentary on the Odyssey of Homer - Part I

Learned Freeware

D. Snider A Commentary on the Odyssey of Homer - Part I

Learned Freeware

D. Snider
A Commentary on the Odyssey of Homer - Part I