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Three Millennia of Greek Literature
 

D. Snider
A Commentary on the Odyssey of Homer - Part I

From, Homer's Odyssey: A commentary
[Please note that the Table of Contents here published, is created by Elpenor and is not to be found in the print version]

Table of Contents \ Odyssey Complete Text \ Greek Fonts \ More Greek Resources

ELPENOR EDITIONS IN PRINT

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

More...


Page 62

Then comes the other side of Calypso's character, as already indicated: she changes, she turns and helps Ulysses put down herself and get away from her world, furnishing him quite all the means for his voyage. Not without a certain regret and parting display of her charms does she do this; still the change is real, and at the last stage we must imagine a Calypso transformed or partially so.

The enchantress on her magic island is a favorite theme with the Fairy Tale, and the situation in itself rouses curiosity and wonder. The bit of land floating on the sea in appearance, yet withstanding wave and tempest, is, to the sailor, the home of supernatural beings. The story of Calypso has the tinge of nautical fancy. In like manner the story of Robinson Crusoe is that of a sea-faring people. We see in it the ship-wrecked man, the lone island, the struggle with nature for food and shelter. But Defoe has no supernatural realm playing into his narrative—no beautiful nymph, no Olympian Gods. That twofold Homeric conception of an Upper and Lower World, of a human and divine element in the great experience, is lost; the Englishman is practical, realistic, utilitarian even in his pious observations, which he flings into his text from the outside at given intervals.

Ogygia, the abode of Calypso, means the Dark Island, upon which Ulysses is cast after the destruction of the Oxen of the Sun. Calypso, in harmony with the name of her abode, signifies the concealer—and that is what has happened to Ulysses, his light is hidden. She is the daughter of Atlas, who has two mental traits assigned to him; he is evil-minded and he knows all the depths of the sea. A demonic being endowed with his dark knowledge of things out of sight; he has a third trait also, "he upholds of himself the long pillars which keep Heaven and Earth apart" (Book I. 53). Naturally under such a burden he is not in good humor. Calypso is the daughter who, along with her grot, may be conceived to have risen out of the obscure depths of the sea, with something of her father's disposition. Doubtless Greek sailors could behold in her image the dangerous rocks which lurked unseen beneath the waters around her island. The comparative mythologist finds in her tale the clouds obscuring or concealing the Sun (here Ulysses) till the luminary breaks out of his concealment and shines in native glory. Something of truth lies in these various views, but the fundamental meaning is not physical, but ethical.

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Cf. Pharr, Homer and the study of Greek * Odyssey Complete Text
Iliad Complete Text * Homer Bilingual Anthology and Resources * Livingstone, On the Ancient Greek Literature
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Reference address : https://ellopos.net/elpenor/greek-texts/ancient-greece/snider-odyssey.asp?pg=62