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Three Millennia of Greek Literature
 

D. Snider
A Commentary on the Odyssey of Homer - Part I

From, Homer's Odyssey: A commentary
[Please note that the Table of Contents here published, is created by Elpenor and is not to be found in the print version]

Table of Contents \ Odyssey Complete Text \ Greek Fonts \ More Greek Resources

ELPENOR EDITIONS IN PRINT

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

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Page 41

He leaps at once into the middle of his theme; he was in Egypt and detained there by the Gods, "though longing to return home." Such is the great initial fact, he did not do his duty to the Gods. Without their aid or without their adequate recognition, he seeks to come home. This indicates the spiritual difficulty; he is indifferent to or a disbeliever in the Divine. The Gods are the upholders of the world-order, they are the law and the spirit of the reality. Clearly Menelaus could not or did not fit himself into the providential system. Neglect of the Gods—that detains him, must detain him. The result is, he and his companions are wasting away on an island, without any chance of return.

The question of the hour is, How shall I get out of the difficulty? Only in one way: Acknowledge the Gods, put yourself into harmony with their order, then the outer world and the inner man will be one, and must bring about the deed, which is the return. We are now to witness the process whereby this reconciliation between man and the Gods takes place—surely the supreme matter in life. It is told in the form of the Fairy Tale or Marvelous Legend, which shifts and changes; we, however, must cling to the essence else it will escape us, Proteus himself we must hold fast, and not be misled by his many appearances.

Menelaus begins to feel sorrow, which is a penitent condition antecedent to all help. Moreover he wanders alone, he has gone apart from his companions; behold, the Goddess steps out of the air and speaks. She reproaches him with folly, and turns him to the deity who can assist him. Who is this Goddess?

It is Eidothea, the Goddess of Appearance, yet the daughter of Proteus, the old First One, to whom she directs Menelaus, as the only means of salvation. Mark how she designates Proteus: "he is the true, the immortal; without error, without death; he knows the depths of all the sea"—the great sea of Time and Space, which envelops the poor mortal. But he must be snared and held—surely not an easy task it is to catch him.

The etymology of the names of these two deities indicates their meaning and relation. The grand dualism of the world is clearly suggested: Appearance and Substance, the Transitory and the Eternal, that which seems and that which is. Menelaus had gone astray, he had neglected the Gods, he had followed Appearance, Delusion, Negation; the result could only be death. But even Appearance points to something beyond itself, something true and eternal. So Eidothea suggests Proteus, who is her parent; that is, she is the manifestation of his being. She is the many, he is the one underneath and in the many; she is change, he is the permanent in all change. He may well be designated as her father, whose transformations she knows and declares. These transformations are called his tricks or stratagems, the shapes he puts on in the world of Appearance; they are indeed Eidothea herself along with her voice telling what is higher than herself.

When this one first principle is clearly revealed, then all is revealed; the future becomes transparent, and the distant becomes near. But you must hold fast to the one true Proteus; he will turn to fire—hold fast; he will become running water—hold fast; he will change to tree, beast, reptile—hold fast. Then he will show himself in his right shape, and will speak the fact. Hold fast; the One is under all, and is a God, who will lift the veil of Space and Time from the visage of Truth. But unquestionably the man in his desperate struggle must never forget the injunction. Hold fast to old Proteus.

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Cf. Pharr, Homer and the study of Greek * Odyssey Complete Text
Iliad Complete Text * Homer Bilingual Anthology and Resources * Livingstone, On the Ancient Greek Literature
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Reference address : https://ellopos.net/elpenor/greek-texts/ancient-greece/snider-odyssey.asp?pg=41