Plotinus ENNEADS - THE SIXTH ENNEAD Complete

Translated by Stephen MacKenna and B. S. Page.

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THE SIXTH ENNEAD:   1) ON THE KINDS OF BEING,   2) ON THE KINDS OF BEING ΙΙ,   3) ON THE KINDS OF BEING ΙΙΙ,   4) ON THE INTEGRAL OMNIPRESENCE OF THE AUTHENTIC EXISTENT,   5) ON THE INTEGRAL OMNIPRESENCE OF THE AUTHENTIC EXISTENT ΙΙ,   6) ON NUMBERS,   7) HOW THE MULTIPLICITY OF THE IDEAL-FORMS CAME INTO BEING: AND UPON THE GOOD,   8) ON FREE-WILL AND THE WILL OF THE ONE,   9) ON THE GOOD, OR THE ONE

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27. On other grounds also, it is indefensible not to have reserved the high place for the true first-principle of things but to have set up in its stead the formless, passive and lifeless, the irrational, dark and indeterminate, and to have made this the source of Being. In this theory God is introduced merely for the sake of appearance: deriving existence from Matter he is a composite, a derivative, or, worse, a mere state of Matter.

Another consideration is that, if Matter is a substrate, there must be something outside it, which, acting on it and distinct from it, makes it the substrate of what is poured into it. But if God is lodged in Matter and by being involved in Matter is himself no more than a substrate, he will no longer make Matter a substrate nor be himself a substrate in conjunction with Matter. For of what will they be substrates, when that which could make them substrates is eliminated? This so-called substrate turns out to have swallowed up all that is; but a substrate must be relative, and relative not to its content but to something which acts upon it as upon a datum.

Again, the substrate comports a relation to that which is not substrate; hence, to something external to it: there must, then, be something apart from the substrate. If nothing distinct and external is considered necessary, but the substrate itself can become everything and adopt every character, like the versatile dancer in the pantomime, it ceases to be a substrate: it is, essentially, everything. The mime is not a substrate of the characters he puts on; these are in fact the realisation of his own personality: similarly, if the Matter with which this theory presents us comports in its own being all the realities, it is no longer the substrate of all: on the contrary, the other things can have no reality whatever, if they are no more than states of Matter in the sense that the poses of the mime are states through which he passes.

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