Plotinus ENNEADS - THE SIXTH ENNEAD Complete

Translated by Stephen MacKenna and B. S. Page.

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THE SIXTH ENNEAD:   1) ON THE KINDS OF BEING,   2) ON THE KINDS OF BEING ΙΙ,   3) ON THE KINDS OF BEING ΙΙΙ,   4) ON THE INTEGRAL OMNIPRESENCE OF THE AUTHENTIC EXISTENT,   5) ON THE INTEGRAL OMNIPRESENCE OF THE AUTHENTIC EXISTENT ΙΙ,   6) ON NUMBERS,   7) HOW THE MULTIPLICITY OF THE IDEAL-FORMS CAME INTO BEING: AND UPON THE GOOD,   8) ON FREE-WILL AND THE WILL OF THE ONE,   9) ON THE GOOD, OR THE ONE

128 pages - You are on Page 34

Even writing, though taking place upon an external object, does not call for passivity, since no effect is produced, upon the tablet beyond the Act of the writer, nothing like pain; we may be told that the tablet has been inscribed, but this does not suffice for passivity.

Again, in the case of walking there is the earth trodden upon, but no one thinks of it as having experienced Passion [or suffering]. Treading on a living body, we think of suffering, because we reflect not upon the walking but upon the ensuing pain: otherwise we should think of suffering in the case of the tablet as well.

It is so in every case of Action: we cannot but think of it as knit into a unity with its opposite, Passion. Not that this later “Passion” is the opposite of Action in the way in which being burned is the opposite of burning: by Passion in this sense we mean the effect supervening upon the combined facts of the burning and the being burned, whether this effect be pain or some such process as withering.

Suppose this Passion to be treated as of itself producing pain: have we not still the duality of agent and patient, two results from the one Act? The Act may no longer include the will to cause pain; but it produces something distinct from itself, a pain-causing medium which enters into the object about to experience pain: this medium, while retaining its individuality, produces something yet different, the feeling of pain.

What does this suggest? Surely that the very medium — the act of hearing, for instance — is, even before it produces pain or without producing pain at all, a Passion of that into which it enters.

But hearing, with sensation in general, is in fact not a Passion. Yet to feel pain is to experience a Passion — a Passion however which is not opposed to Action.

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