Plotinus ENNEADS - THE SIXTH ENNEAD Complete

Translated by Stephen MacKenna and B. S. Page.

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THE SIXTH ENNEAD:   1) ON THE KINDS OF BEING,   2) ON THE KINDS OF BEING ΙΙ,   3) ON THE KINDS OF BEING ΙΙΙ,   4) ON THE INTEGRAL OMNIPRESENCE OF THE AUTHENTIC EXISTENT,   5) ON THE INTEGRAL OMNIPRESENCE OF THE AUTHENTIC EXISTENT ΙΙ,   6) ON NUMBERS,   7) HOW THE MULTIPLICITY OF THE IDEAL-FORMS CAME INTO BEING: AND UPON THE GOOD,   8) ON FREE-WILL AND THE WILL OF THE ONE,   9) ON THE GOOD, OR THE ONE

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16. When each of the entities bound up with the pseudo-substance is taken apart from the rest, the name of Quality is given to that one among them, by which without pointing to essence or quantity or motion we signify the distinctive mark, the type or aspect of a thing — for example, the beauty or ugliness of a body. This beauty — need we say? — is identical in name only with Intellectual Beauty: it follows that the term “Quality” as applied to the Sensible and the Intellectual is necessarily equivocal; even blackness and whiteness are different in the two spheres.

But the beauty in the germ, in the particular Reason-Principle — is this the same as the manifested beauty, or do they coincide only in name? Are we to assign this beauty — and the same question applies to deformity in the soul — to the Intellectual order, or to the Sensible? That beauty is different in the two spheres is by now clear. If it be embraced in Sensible Quality, then virtue must also be classed among the qualities of the lower. But merely some virtues will take rank as Sensible, others as Intellectual qualities.

It may even be doubted whether the arts, as Reason-Principles, can fairly be among Sensible qualities; Reason-Principles, it is true, may reside in Matter, but “matter” for them means Soul. On the other hand, their being found in company with Matter commits them in some degree to the lower sphere. Take the case of lyrical music: it is performed upon strings; melody, which may be termed a part of the art, is sensuous sound — though, perhaps, we should speak here not of parts but of manifestations [Acts]: yet, called manifestations, they are nonetheless sensuous. The beauty inherent in body is similarly bodiless; but we have assigned it to the order of things bound up with body and subordinate to it.

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