Plotinus ENNEADS - THE FOURTH ENNEAD Complete

Translated by Stephen MacKenna and B. S. Page.

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» Contents of this Ennead

THE FOURTH ENNEAD:   1) ON THE ESSENCE OF THE SOUL,   2) ON THE ESSENCE OF THE SOUL II,   3) PROBLEMS OF THE SOUL,   4) PROBLEMS OF THE SOUL II,   5) PROBLEMS OF THE SOUL III - “ON SIGHT”,   6) PERCEPTION AND MEMORY,   7) THE IMMORTALITY OF THE SOUL,   8) THE SOUL’S DESCENT INTO BODY,   9) ARE ALL SOULS ONE?

129 pages - You are on Page 107

31. Our problem embraces all act and all experience throughout the entire kosmos — whether due to nature, in the current phrase, or effected by art. The natural proceeds, we must hold, from the All towards its members and from the members to the All, or from member to other member: the artificial either remains, as it began, within the limit of the art — attaining finality in the artificial product alone — or is the expression of an art which calls to its aid natural forces and agencies, and so sets up act and experience within the sphere of the natural.

When I speak of the act and experience of the All I mean the total effect of the entire kosmic circuit upon itself and upon its members: for by its motion it sets up certain states both within itself and upon its parts, upon the bodies that move within it and upon all that it communicates to those other parts of it, the things of our earth.

The action of part upon part is manifest; there are the relations and operations of the sun, both towards the other spheres and towards the things of earth; and again relations among elements of the sun itself, of other heavenly bodies, of earthly things and of things in the other stars, demand investigation.

As for the arts: Such as look to house building and the like are exhausted when that object is achieved; there are again those — medicine, farming, and other serviceable pursuits — which deal helpfully with natural products, seeking to bring them to natural efficiency; and there is a class — rhetoric, music and every other method of swaying mind or soul, with their power of modifying for better or for worse — and we have to ascertain what these arts come to and what kind of power lies in them.

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