Plotinus ENNEADS - THE THIRD ENNEAD, Part II, Complete

Translated by Stephen MacKenna and B. S. Page.

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» Contents of this Ennead

THE THIRD ENNEAD:   1) FATE,   2) ON PROVIDENCE,   3) ON PROVIDENCE II,   4) OUR TUTELARY SPIRIT,   5) ON LOVE,   6) THE IMPASSIVITY OF THE UNEMBODIED,   7) TIME AND ETERNITY,   8) NATURE CONTEMPLATION AND THE ONE,   9) DETACHED CONSIDERATIONS

II: 42 pages - You are on Page 16

3. But if this Reason-Principle [Nature] is in act — and produces by the process indicated — how can it have any part in Contemplation?

To begin with, since in all its production it is stationary and intact, a Reason-Principle self-indwelling, it is in its own nature a Contemplative act. All doing must be guided by an Idea, and will therefore be distinct from that Idea: the Reason-Principle then, as accompanying and guiding the work, will be distinct from the work; not being action but Reason-Principle it is, necessarily, Contemplation. Taking the Reason-Principle, the Logos, in all its phases, the lowest and last springs from a mental act [in the higher Logos] and is itself a contemplation, though only in the sense of being contemplated, but above it stands the total Logos with its two distinguishable phases, first, that identified not as Nature but as All-Soul and, next, that operating in Nature and being itself the Nature-Principle.

And does this Reason-Principle, Nature, spring from a contemplation?

Wholly and solely?

From self-contemplation, then? Or what are we to think? It derives from a Contemplation and some contemplating Being; how are we to suppose it to have Contemplation itself?

The Contemplation springing from the reasoning faculty — that, I mean, of planning its own content, it does not possess.

But why not, since it is a phase of Life, a Reason-Principle and a creative Power?

Because to plan for a thing is to lack it: Nature does not lack; it creates because it possesses. Its creative act is simply its possession of it own characteristic Essence; now its Essence, since it is a Reason-Principle, is to be at once an act of contemplation and an object of contemplation. In other words, the, Nature-Principle produces by virtue of being an act of contemplation, an object of contemplation and a Reason-Principle; on this triple character depends its creative efficacy.

Thus the act of production is seen to be in Nature an act of contemplation, for creation is the outcome of a contemplation which never becomes anything else, which never does anything else, but creates by simply being a contemplation.

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