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Plato : PHAEDO

Persons of the dialogue: Phaedo - Echecrates Of Phlius - Socrates
- Apollodorus - Simmias - Cebes - Crito - attendant of the prison

Scene: The Prison of Socrates  -  Place of narration: Phlius
Translated by Benjamin Jowett - 33 Pages (Part 1) - Greek fonts
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PHAEDO part 1 of 2

Part 2

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This Part: 33 Pages


Part 1 Page 30

Socrates smiled and said: O Simmias, how strange that is; I am not very likely to persuade other men that I do not regard my present situation as a misfortune, if I am unable to persuade you, and you will keep fancying that I am at all more troubled now than at any other time. Will you not allow that I have as much of the spirit of prophecy in me as the swans? For they, when they perceive that they must die, having sung all their life long, do then sing more than ever, rejoicing in the thought that they are about to go away to the god whose ministers they are. But men, because they are themselves afraid of death, slanderously affirm of the swans that they sing a lament at the last, not considering that no bird sings when cold, or hungry, or in pain, not even the nightingale, nor the swallow, nor yet the hoopoe; which are said indeed to tune a lay of sorrow, although I do not believe this to be true of them any more than of the swans. But because they are sacred to Apollo and have the gift of prophecy and anticipate the good things of another world, therefore they sing and rejoice in that day more than they ever did before. And I, too, believing myself to be the consecrated servant of the same God, and the fellow servant of the swans, and thinking that I have received from my master gifts of prophecy which are not inferior to theirs, would not go out of life less merrily than the swans. Cease to mind then about this, but speak and ask anything which you like, while the eleven magistrates of Athens allow.

Well, Socrates, said Simmias, then I will tell you my difficulty, and Cebes will tell you his. For I dare say that you, Socrates, feel, as I do, how very hard or almost impossible is the attainment of any certainty about questions such as these in the present life. And yet I should deem him a coward who did not prove what is said about them to the uttermost, or whose heart failed him before he had examined them on every side. For he should persevere until he has attained one of two things: either he should discover or learn the truth about them; or, if this is impossible, I would have him take the best and most irrefragable of human notions, and let this be the raft upon which he sails through life - not without risk, as I admit, if he cannot find some word of God which will more surely and safely carry him. And now, as you bid me, I will venture to question you, as I should not like to reproach myself hereafter with not having said at the time what I think. For when I consider the matter either alone or with Cebes, the argument does certainly appear to me, Socrates, to be not sufficient.

Socrates answered: I dare say, my friend, that you may be right, but I should like to know in what respect the argument is not sufficient. In this respect, replied Simmias: Might not a person use the same argument about harmony and the lyre - might he not say that harmony is a thing invisible, incorporeal, fair, divine, abiding in the lyre which is harmonized, but that the lyre and the strings are matter and material, composite, earthy, and akin to mortality? And when someone breaks the lyre, or cuts and rends the strings, then he who takes this view would argue as you do, and on the same analogy, that the harmony survives and has not perished; for you cannot imagine, as we would say, that the lyre without the strings, and the broken strings themselves, remain, and yet that the harmony, which is of heavenly and immortal nature and kindred, has perished - and perished too before the mortal. The harmony, he would say, certainly exists somewhere, and the wood and strings will decay before that decays. For I suspect, Socrates, that the notion of the soul which we are all of us inclined to entertain, would also be yours, and that you too would conceive the body to be strung up, and held together, by the elements of hot and cold, wet and dry, and the like, and that the soul is the harmony or due proportionate admixture of them. And, if this is true, the inference clearly is that when the strings of the body are unduly loosened or overstrained through disorder or other injury, then the soul, though most divine, like other harmonies of music or of the works of art, of course perishes at once, although the material remains of the body may last for a considerable time, until they are either decayed or burnt. Now if anyone maintained that the soul, being the harmony of the elements of the body, first perishes in that which is called death, how shall we answer him?

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