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Translated, with Explanatory Notes, by Gilbert Murray.
89 pages - You are on Page 81
Leader
Hecuba, speak!
Oh, ere thy bosom break....
Hecuba
Lo, I have seen the open hand of God [46];
And in it nothing, nothing, save the rod
Of mine affliction, and the eternal hate,
Beyond all lands, chosen and lifted great
For Troy! Vain, vain were prayer and incense-swell
And bulls' blood on the altars!... All is well.
Had He not turned us in His hand, and thrust
Our high things low and shook our hills as dust,
We had not been this splendour, and our wrong
An everlasting music for the song
Of earth and heaven!
Go, women: lay our dead
In his low sepulchre. He hath his meed
Of robing. And, methinks, but little care
Toucheth the tomb, if they that moulder there
Have rich encerement. 'Tis we, 'tis we,
That dream, we living and our vanity!
[The Women bear out the dead Child upon the shield, singing, when presently flames of fire and dim forms are seen among the ruins of the City.
[46] Lo, I have seen the open hand of God.] -- The text is, perhaps, imperfect here; but Professor Wilamowitz agrees with me that Hecuba has seen something like a vision. The meaning of this speech is of the utmost importance. It expresses the inmost theme of the whole play, a search for an answer to the injustice of suffering in the very splendour and beauty of suffering. Of course it must be suffering of a particular kind, or, what comes to the same thing, suffering borne in a particular way; but in that case the answer seems to me to hold. One does not really think the world evil because there are martyrs or heroes in it. For them the elements of beauty which exist in any great trial of the spirit become so great as to overpower the evil that created them -- to turn it from shame and misery into tragedy. Of course to most sufferers, to children and animals and weak people, or those without inspiration, the doctrine brings no help. It is a thing invented by a poet for himself.
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