Aristotle PHYSICS Complete

Translated by R. Hardie and R. Gaye.

Aristotle Bilingual Anthology  Studies  Aristotle in Print

128 pages - You are on Page 17

But that substances too, and anything else that can be said 'to be' without qualification, come to be from some substratum, will appear on examination. For we find in every case something that underlies from which proceeds that which comes to be; for instance, animals and plants from seed.

Generally things which come to be, come to be in different ways: (1) by change of shape, as a statue; (2) by addition, as things which grow; (3) by taking away, as the Hermes from the stone; (4) by putting together, as a house; (5) by alteration, as things which 'turn' in respect of their material substance.

It is plain that these are all cases of coming to be from a substratum.

Thus, clearly, from what has been said, whatever comes to be is always complex. There is, on the one hand, (a) something which comes into existence, and again (b) something which becomes that-the latter (b) in two senses, either the subject or the opposite. By the 'opposite' I mean the 'unmusical', by the 'subject' 'man', and similarly I call the absence of shape or form or order the 'opposite', and the bronze or stone or gold the 'subject'.

Plainly then, if there are conditions and principles which constitute natural objects and from which they primarily are or have come to be-have come to be, I mean, what each is said to be in its essential nature, not what each is in respect of a concomitant attribute-plainly, I say, everything comes to be from both subject and form. For 'musical man' is composed (in a way) of 'man' and 'musical': you can analyse it into the definitions of its elements. It is clear then that what comes to be will come to be from these elements.

Now the subject is one numerically, though it is two in form. (For it is the man, the gold-the 'matter' generally-that is counted, for it is more of the nature of a 'this', and what comes to be does not come from it in virtue of a concomitant attribute; the privation, on the other hand, and the contrary are incidental in the process.) And the positive form is one-the order, the acquired art of music, or any similar predicate.

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