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XANTHIAS. If I mistake not, Aeschylus must be in a rage.

AEACUS. With lowered head he glares fiercely like a bull.

XANTHIAS. And who will be the judge?

AEACUS. The choice was difficult; it was seen that there was a dearth of able men. Aeschylus took exception to the Athenians ...

XANTHIAS. No doubt he thought there were too many thieves among them.

AEACUS. ... and moreover believed them too light-minded to judge of a poet's merits. Finally they fell back upon your master, because he understands tragic poetry.[460] But let us go in; when the masters are busy, we must look out for blows!

CHORUS. Ah! what fearful wrath will be surging in his heart! what a roar there'll be when he sees the babbler who challenges him sharpening his teeth! how savagely his eyes will roll! What a battle of words like plumed helmets and waving crests hurling themselves against fragile outbursts and wretched parings! We shall see the ingenious architect of style defending himself against immense periods. Then, the close hairs of his thick mane all a-bristle, the giant will knit his terrible brow; he will pull out verses as solidly bolted together as the framework of a ship and will hurl them forth with a roar, while the pretty speaker with the supple and sharpened tongue, who weighs each syllable and submits everything to the lash of his envy, will cut this grand style to mincemeat and reduce to ruins this edifice erected by one good sturdy puff of breath.[461]

[460] Dionysus was, of course, the patron god of the drama and dramatic contests.

[461] The majestic grandeur of Aeschylus' periods, coupled with a touch of parody, is to be recognized in this piece.

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Reference address : https://ellopos.net/elpenor/greek-texts/ancient-greece/aristophanes/frogs.asp?pg=52