Plotinus ENNEADS - THE THIRD ENNEAD Complete

Translated by Stephen MacKenna and B. S. Page.

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» Contents of this Ennead

THE THIRD ENNEAD:   1) FATE,   2) ON PROVIDENCE,   3) ON PROVIDENCE II,   4) OUR TUTELARY SPIRIT,   5) ON LOVE,   6) THE IMPASSIVITY OF THE UNEMBODIED,   7) TIME AND ETERNITY,   8) NATURE CONTEMPLATION AND THE ONE,   9) DETACHED CONSIDERATIONS

128 pages - You are on Page 36

Life, then, aims at pattern as does the pantomimic dancer with his set movements; the mime, in himself, represents life, and, besides, his movements proceed in obedience to a pattern designed to symbolize life.

Thus far to give us some idea of the nature of Life in general.

But this Reason-Principle which emanates from the complete unity, divine Mind, and the complete unity Life [= Soul] — is neither a uniate complete Life nor a uniate complete divine Mind, nor does it give itself whole and all-including to its subject. [By an imperfect communication] it sets up a conflict of part against part: it produces imperfect things and so engenders and maintains war and attack, and thus its unity can be that only of a sum-total not of a thing undivided. At war with itself in the parts which it now exhibits, it has the unity, or harmony, of a drama torn with struggle. The drama, of course, brings the conflicting elements to one final harmony, weaving the entire story of the clashing characters into one thing; while in the Logos the conflict of the divergent elements rises within the one element, the Reason-Principle: the comparison therefore is rather with a harmony emerging directly from the conflicting elements themselves, and the question becomes what introduces clashing elements among these Reason-Principles.

Now in the case of music, tones high and low are the product of Reason-Principles which, by the fact that they are Principles of harmony, meet in the unit of Harmony, the absolute Harmony, a more comprehensive Principle, greater than they and including them as its parts. Similarly in the Universe at large we find contraries — white and black, hot and cold, winged and wingless, footed and footless, reasoning and unreasoning — but all these elements are members of one living body, their sum-total; the Universe is a self-accordant entity, its members everywhere clashing but the total being the manifestation of a Reason-Principle. That one Reason-Principle, then, must be the unification of conflicting Reason-Principles whose very opposition is the support of its coherence and, almost, of its Being.

And indeed, if it were not multiple, it could not be a Universal Principle, it could not even be at all a Reason-Principle; in the fact of its being a Reason-Principle is contained the fact of interior difference. Now the maximum of difference is contrariety; admitting that this differentiation exists and creates, it will create difference in the greatest and not in the least degree; in other words, the Reason-Principle, bringing about differentiation to the uttermost degree, will of necessity create contrarieties: it will be complete only by producing itself not in merely diverse things but in contrary things.

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