Plotinus ENNEADS - THE FIRST ENNEAD Complete

Translated by Stephen MacKenna and B. S. Page.

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» Contents of this Ennead

THE FIRST ENNEAD:   1) THE ANIMATE AND THE MAN,   2) ON VIRTUE,   3) ON DIALECTIC - THE UPWARD WAY,   4) ON TRUE HAPPINESS,   5) HAPPINESS AND EXTENSION OF TIME,   6) BEAUTY,   7) ON THE PRIMAL GOOD AND SECONDARY FORMS OF GOOD - “ON HAPPINESS”,   8) ON THE NATURE AND SOURCE OF EVIL,   9) “THE REASONED DISMISSAL”

106 pages - You are on Page 70

3. And the soul includes a faculty peculiarly addressed to Beauty — one incomparably sure in the appreciation of its own, never in doubt whenever any lovely thing presents itself for judgement.

Or perhaps the soul itself acts immediately, affirming the Beautiful where it finds something accordant with the Ideal-Form within itself, using this Idea as a canon of accuracy in its decision.

But what accordance is there between the material and that which antedates all Matter?

On what principle does the architect, when he finds the house standing before him correspondent with his inner ideal of a house, pronounce it beautiful? Is it not that the house before him, the stones apart, is the inner idea stamped upon the mass of exterior matter, the indivisible exhibited in diversity?

So with the perceptive faculty: discerning in certain objects the Ideal-Form which has bound and controlled shapeless matter, opposed in nature to Idea, seeing further stamped upon the common shapes some shape excellent above the common, it gathers into unity what still remains fragmentary, catches it up and carries it within, no longer a thing of parts, and presents it to the Ideal-Principle as something concordant and congenial, a natural friend: the joy here is like that of a good man who discerns in a youth the early signs of a virtue consonant with the achieved perfection within his own soul.

The beauty of colour is also the outcome of a unification: it derives from shape, from the conquest of the darkness inherent in Matter by the pouring-in of light, the unembodied, which is a Rational-Principle and an Ideal-Form.

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