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Plato : LAWS

Persons of the dialogue: An Athenian stranger - Cleinias, a Cretan
 - Megillus, a Lacedaemonian

Translated by Benjamin Jowett - 80 Pages (Part 1) - Greek fonts
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LAWS part 1 of 2, 3, 4, 5

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Part 1 Page 36

Ath. Once more, are all of us equally delighted with every sort of dance?

Cle. Far otherwise.

Ath. What, then, leads us astray? Are beautiful things not the same to us all, or are they the same in themselves, but not in our opinion of them? For no one will admit that forms of vice in the dance are more beautiful than forms of virtue, or that he himself delights in the forms of vice, and others in a muse of another character. And yet most persons say, that the excellence of music is to give pleasure to our souls. But this is intolerable and blasphemous; there is, however, a much more plausible account of the delusion.

Cle. What?

Ath. The adaptation of art to the characters of men. Choric movements are imitations of manners occurring in various actions, fortunes, dispositions - each particular is imitated, and those to whom the words, or songs, or dances are suited, either by nature or habit or both, cannot help feeling pleasure in them and applauding them, and calling them beautiful. But those whose natures, or ways, or habits are unsuited to them, cannot delight in them or applaud them, and they call them base. There are others, again, whose natures are right and their habits wrong, or whose habits are right and their natures wrong, and they praise one thing, but are pleased at another. For they say that all these imitations are pleasant, but not good. And in the presence of those whom they think wise, they are ashamed of dancing and singing in the baser manner, or of deliberately lending any countenance to such proceedings; and yet, they have a secret pleasure in them.

Cle. Very true.

Ath. And is any harm done to the lover of vicious dances or songs, or any good done to the approver of the opposite sort of pleasure?

Cle. I think that there is.

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