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Plato : GORGIAS

Persons of the dialogue: Callicles - Socrates - Chaerephon - Gorgias - Polus
Scene : The house of Callicles
Translated by Benjamin Jowett - 34 Pages (Part 1) - Greek fonts
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GORGIAS Part 1 of 2, 3

ELPENOR EDITIONS IN PRINT

The Original Greek New Testament

Plato in print

This Part: 34 Pages


Part 1 Page 20

Soc. I will try, then, to explain my notion of rhetoric, and if I am mistaken, my friend Polus shall refute me. We may assume the existence of bodies and of souls?

Gor. Of course.

Soc. You would further admit that there is a good condition of either of them?

Gor. Yes.

Soc. Which condition may not be really good, but good only in appearance? I mean to say, that there are many persons who appear to be in good health, and whom only a physician or trainer will discern at first sight not to be in good health.

Gor. True.

Soc. And this applies not only to the body, but also to the soul: in either there may be that which gives the appearance of health and not the reality?

Gor. Yes, certainly.

Soc. And now I will endeavour to explain to you more clearly what I mean: The soul and body being two, have two arts corresponding to them: there is the art of politics attending on the soul; and another art attending on the body, of which I know no single name, but which may be described as having two divisions, one of them gymnastic, and the other medicine. And in politics there is a legislative part, which answers to gymnastic, as justice does to medicine; and the two parts run into one another, justice having to do with the same subject as legislation, and medicine with the same subject as gymnastic, but with a difference. Now, seeing that there are these four arts, two attending on the body and two on the soul for their highest good; flattery knowing, or rather guessing their natures, has distributed herself into four shams or simulations of them; she puts on the likeness of some one or other of them, and pretends to be that which she simulates, and having no regard for men's highest interests, is ever making pleasure the bait of the unwary, and deceiving them into the belief that she is of the highest value to them. Cookery simulates the disguise of medicine, and pretends to know what food is the best for the body; and if the physician and the cook had to enter into a competition in which children were the judges, or men who had no more sense than children, as to which of them best understands the goodness or badness of food, the physician would be starved to death. A flattery I deem this to be and of an ignoble sort, Polus, for to you I am now addressing myself, because it aims at pleasure without any thought of the best. An art I do not call it, but only an experience, because it is unable to explain or to give a reason of the nature of its own applications. And I do not call any irrational thing an art; but if you dispute my words, I am prepared to argue in defence of them.

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