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The Country by the Ilissus: the Greeks and Natural Beauty

 

    Our companions are on horseback (a token of tolerable wealth in Athens), but the beasts amble along not too rapidly for nimble grooms to run behind, each ready to aid his respective master. Once outside the gate the regular road swings down to the south towards Phalerum; we, however, are in no great haste and desire to see as much as possible. The farms we are seeking lie well north of the city, but we can make a delightful circuit by skirting the city walls with the eastern shadow of the Acropolis behind us, and going at first northeast, along the groves and leafy avenues which line the thin stream of the Ilissus,[2] the second "river" of Athens.

    Before us through the trees came tantalizing glimpses of the open country running away towards shaggy gray Hymettus. Left to itself the land would be mostly arid and seared brown by the summer sun; but everywhere the friendly work of man is visible. One can count the little green oblong patches, stretching even up the mountain side, marked with gleaming white farm buildings or sometimes with little temples and chapels sacred to the rural gods. Once or twice also we notice a plot of land which seems one tangled waste of trees and shrubbery. This is a sacred "temenos," an inviolate grove, set apart to some god; and within the fences of the compound no mortal dare set foot under pain of direful sacrilege and pollution.

    Following a kind of bridle path, however, we are soon amid the groves of olive and other trees, while the horses plod their slow way beside the brook. Not a few citizens going or coming from Athens meet us, for this is really one of the parks and breathing spaces of the closely built city. The Athenians and Greeks in general live in a land of such natural beauty that they take this loveliness as a matter of course. Very seldom do their poets indulge in deliberate descriptions of "beautiful landscapes"; but none the less the fair things of nature have penetrated deeply into their souls. The constant allusions in Homer and the other masters of song to the great storm waves, the deep shades of the forest, the crystal books, the pleasant rest for wanderers under the shade trees, the plains bright with spring flowers, the ivy twining above a grave, the lamenting nightingale, the chirping cicada, tell their own story; men seldom describe at length what is become warp and woof of their inmost lives. The mere fact that the Greeks dwell constantly in such a beautiful land, and have learned to love it so intensely, makes frequent and set descriptions thereto seem trivial.

 

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