E. M. Berens
Myths and Legends of Ancient Greece and Rome

From, A Handbook of Mythology, New York 1886
{ } = Page Numbers in the print edition,   [ ] = Footnote Numbers

Table of Contents \ Greek Fonts \ More Greek Resources

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

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Page 68

In his character as god of light, Phoebus-Apollo is the protecting deity of shepherds, because it is he who warms {71} the fields and meadows, and gives rich pastures to the flocks, thereby gladdening the heart of the herdsman.

As the temperate heat of the sun exercises so invigorating an effect on man and animals, and promotes the growth of those medicinal herbs and vegetable productions necessary for the cure of diseases, Phoebus-Apollo was supposed to possess the power of restoring life and health; hence he was regarded as the god of healing; but this feature in his character we shall find more particularly developed in his son Asclepius (AEsculapius), the veritable god of the healing art.

Pursuing our analysis of the various phases in the character of Phoebus-Apollo, we find that with the first beams of his genial light, all nature awakens to renewed life, and the woods re-echo with the jubilant sound of the untaught lays, warbled by thousands of feathered choristers.  Hence, by a natural inference, he is the god of music, and as, according to the belief of the ancients, the inspirations of genius were inseparably connected with the glorious light of heaven, he is also the god of poetry, and acts as the special patron of the arts and sciences. Apollo is himself the heavenly musician among the Olympic gods, whose banquets are gladdened by the wondrous strains which he produces from his favourite instrument, the seven-stringed lyre. In the cultus of Apollo, music formed a distinguishing feature. All sacred dances, and even the sacrifices in his honour, were performed to the sound of musical instruments; and it is, in a great measure, owing to the influence which the music in his worship exercised on the Greek nation, that Apollo came to be regarded as the leader of the nine Muses, the legitimate divinities of poetry and song. In this character he is called Musagetes, and is always represented robed in a long flowing garment; his lyre, to the tones of which he appears to be singing, is suspended by a band across the chest; his head is encircled by a wreath of laurel, and his long hair, streaming down over his shoulders, gives him a somewhat effeminate appearance.

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Cf. A Day in Old Athens * A Short History of Greek Philosophy
Toynbee, Ancient Greek History and the West * Livingstone, On the Ancient Greek Literature

The Greek Word Library

Reference address : https://ellopos.net/elpenor/greek-texts/ancient-Greece/mythology.asp?pg=68