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Three Millennia of Greek Literature
 

F. B. Tarbell, A History of Ancient Greek Art

Greek Architecture

The temple

ELPENOR EDITIONS IN PRINT

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

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Page 3

Another important fact to be noted at the outset is the absence of the arch from Greek architecture. It is reported by the Roman philosopher, Seneca, that the principle of the arch was "discovered" by the Greek philosopher, Democritus, who lived in the latter half of the fifth century B. C. That he independently discovered the arch as a practical possibility is most unlikely, seeing that it had been used for ages in Egypt and Mesopotamia; but it may be that he discussed, however imperfectly, the mathematical theory of the subject. If so, it would seem likely that he had practical  illustrations about him; and this view receives some support from the existence of a few subterranean vaults which perhaps go back to the good Greek period. Be that as it may, the arch plays absolutely no part in the columnar architecture of Greece. In a Greek temple or similar building only the flat ceiling was known. Above the exterior portico and the vestibules of a temple the ceiling was sometimes of stone or marble, sometimes of wood; in the interior it was always of wood. It follows that no very wide space could be ceiled over without extra supports. At Priene in Asia Minor we find a temple whose cella, slightly over thirty feet in breadth, has no interior columns. The architect of the Temple of Athena on the island of Aegina was less venturesome. Although the cella there is only 21 1/4 feet in breadth, we find, as in large temples, a double row of columns to help support the ceiling. And when a really large room was built, like the Hall of Initiation at Eleusis or the Assembly Hall of the Arcadians at Megalopolis, such a forest of pillars was required as must have seriously interfered with the convenience of congregations.


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Three Millennia of Greek Literature


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