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But the sources of the Geometric style are probably to be sought among other tribes than those which were dominant in the days of Mycenae's splendor. Greek tradition tells of a great movement of population, the so-called Dorian migration, which took place some centuries before the beginning of recorded history in Greece. If that invasion and conquest of Peloponnesus by ruder tribes from the North be a fact, then the hypothesis is a plausible one which would connect the gradual disappearance of Mycenaean art with that great change. Geometric art, according to this theory, would have originated with the tribes which now came to the fore.
Besides the Geometric pottery and its offshoots, several other local varieties were produced in Greece in the eighth and seventh centuries. These are sometimes grouped together under the name of "orientalizing" styles, because, in a greater or less degree, they show in their ornamentation the influence of oriental models, of which the pure Geometric style betrays no trace. It is impossible here to describe all these local wares, but a single plate from Rhodes may serve to illustrate the degree of proficiency in the drawing of the human figure which had been attained about the end of the seventh century. Additional interest is lent to this design by the names attached to the three men. The combatants are Menelaus and Hector; the fallen warrior is Euphorbus. Here for the first time we find depicted a scene from the Trojan War. From this time on the epic legends form a large part of the repertory of the vase-painters.
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