The most beautiful Greek portrait statue that we possess
is the Lateran Sophocles. The figure has numerous small
restorations, including the feet and the box of
manuscript rolls. That
Sophocles, the tragic poet, is
represented, is known from the likeness of the head to a
bust inscribed with his name. He died in 406 B.C. The
style of our statue, however, points to an original (if
it be not itself the original) of about the middle of
the fourth century. There were probably in existence at
this time authentic likenesses of the poet, on which the
sculptor based his work. The attitude of the figure is
the perfection of apparent ease, but in reality of
skilful contrivance to secure a due balance of parts and
anety and grace of line. The one garment, drawn closely
about the person, illustrates the inestimable good
fortune enjoyed by the Greek sculptor, in contrast with
the sculptor of to-day, in having to represent a costume
so simple, so pliant, so capable of graceful adjustment.
The head, however much it may contain of the actual look
of Sophocles, must be idealized. To appreciate it
properly one must remember that this poet, though he
dealt with tragic themes, was not wont to brood over the
sin and sorrow and unfathomable mystery of the world,
but was serene in his temper and prosperous in his life.