F. B. Tarbell, A History of Ancient Greek Art

The Great Age of Greek Sculpture. First Period 450-400 B. C.

The Balustrade

To the period of the Peloponnesian War may also be assigned a sculptured balustrade which inclosed and protected the precinct of the little Temple of Wingless Victory on the Acropolis. One slab of this balustrade is shown in Fig. 133. It represents a winged Victory stooping to tie (or, as some will have it, to untie) her sandal. The soft Ionic chiton, clinging to the form, reminds one of the drapery of the reclining goddess from the eastern pediment of the Parthenon, but it finds its closest analogy, among datable sculptures, in a fragment of relief recently found at Rhamnus in Attica. This belonged to the pedestal of a statue by Agoracritus, one of the most famous pupils of Phidias.

 

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