|
Page 5
In the form shown in Fig. 73 we find, first, a row of sixteen simple leaves, like those of a reed, with the points of a second row showing between them; then a single row of eight acanthus leaves; then the scroll-work, supporting a palmette on each side; and finally an abacus whose profile is made up of a trochilus and an ovolo. This capital, though extremely elegant, is open to the charge of appearing weak at its middle. There is a much less ornate variety, also reckoned as Corinthian, which has no scroll- work, but only a row of acanthus leaves with a row of reed leaves above them around a bell-shaped core, the whole surmounted by a square abacus. In the Choragic Monument of Lysicrates the cornice has dentels, and this was always the case, so far as we know, where the Corinthian capital was used. In Corinthian buildings the anta, where met with, has a capital like that of the column. But there is very little material to generalize from until we descend to Roman times.
Some allusion has been made in the foregoing to other types of columnar buildings besides the temple. The principal ones of which remains exist are propylaea and stoas. Propylaea is the Greek name for a form of gateway, consisting essentially of a cross wall between side walls, with a portico on each front. Such gateways occur in many places as entrances to sacred precincts. The finest example, and one of the noblest monuments of Greek architecture, is that at the west end of the Athenian Acropolis. The stoa may be defined as a building having an open range of columns on at least one side. Usually its length was much greater than its depth. Stoas were often built in sacred precincts, as at Olympia, and also for secular purposes along public streets, as in Athens. These and other buildings into which the column entered as an integral feature involved no new architectural elements or principles.
Next Chapter: Color
Back to the table of Contents * More online Greek Resources
Reference address : https://ellopos.net/elpenor/greek-texts/ancient-Greece/history-of-ancient-greek-art-11.asp?pg=5