The art of any artistically gifted people may be studied with
various purposes and in various ways. One man, being himself an
artist, may seek inspiration or guidance for his own practice;
another, being a student of the history of civilization, may strive to
comprehend the products of art as one manifestation of a people's
spiritual life; another may be interested chiefly in tracing the
development of artistic processes, forms, and subjects; and so on. But
this book has been written in the conviction that the greatest of all
motives for studying art, the motive which is and ought to be
strongest in most people, is the desire to become acquainted with
beautiful and noble things, the things that "soothe the cares and lift
the thoughts of man." The historical method of treatment has been
adopted as a matter of course, but the emphasis is not laid upon the
historical aspects of the subject. The chief aim has been to present
characteristic specimens of the finest Greek work that has been
preserved to us, and to suggest how they may be intelligently enjoyed.
Fortunate they who can carry their studies farther, with the help of
less elementary handbooks, of photographs, of casts, or, best of all,
of the original monuments. (...)