Aristotle ON THE SOUL Complete

Translated by J. Smith.

Aristotle Bilingual Anthology  Studies  Aristotle in Print

78 pages - You are on Page 14

The view we have just been examining, in company with most theories about the soul, involves the following absurdity: they all join the soul to a body, or place it in a body, without adding any specification of the reason of their union, or of the bodily conditions required for it. Yet such explanation can scarcely be omitted; for some community of nature is presupposed by the fact that the one acts and the other is acted upon, the one moves and the other is moved; interaction always implies a special nature in the two interagents. All, however, that these thinkers do is to describe the specific characteristics of the soul; they do not try to determine anything about the body which is to contain it, as if it were possible, as in the Pythagorean myths, that any soul could be clothed upon with any body-an absurd view, for each body seems to have a form and shape of its own. It is as absurd as to say that the art of carpentry could embody itself in flutes; each art must use its tools, each soul its body.

Part 4

There is yet another theory about soul, which has commended itself to many as no less probable than any of those we have hitherto mentioned, and has rendered public account of itself in the court of popular discussion. Its supporters say that the soul is a kind of harmony, for (a) harmony is a blend or composition of contraries, and (b) the body is compounded out of contraries. Harmony, however, is a certain proportion or composition of the constituents blended, and soul can be neither the one nor the other of these. Further, the power of originating movement cannot belong to a harmony, while almost all concur in regarding this as a principal attribute of soul. It is more appropriate to call health (or generally one of the good states of the body) a harmony than to predicate it of the soul. The absurdity becomes most apparent when we try to attribute the active and passive affections of the soul to a harmony; the necessary readjustment of their conceptions is difficult. Further, in using the word 'harmony' we have one or other of two cases in our mind; the most proper sense is in relation to spatial magnitudes which have motion and position, where harmony means the disposition and cohesion of their parts in such a manner as to prevent the introduction into the whole of anything homogeneous with it, and the secondary sense, derived from the former, is that in which it means the ratio between the constituents so blended; in neither of these senses is it plausible to predicate it of soul. That soul is a harmony in the sense of the mode of composition of the parts of the body is a view easily refutable; for there are many composite parts and those variously compounded; of what bodily part is mind or the sensitive or the appetitive faculty the mode of composition? And what is the mode of composition which constitutes each of them? It is equally absurd to identify the soul with the ratio of the mixture; for the mixture which makes flesh has a different ratio between the elements from that which makes bone. The consequence of this view will therefore be that distributed throughout the whole body there will be many souls, since every one of the bodily parts is a different mixture of the elements, and the ratio of mixture is in each case a harmony, i.e. a soul.

Previous Page / First / Next Page of ON THE SOUL

Aristotle Home Page ||| Search Aristotle's works

Plato ||| Other Greek Philosophers ||| Elpenor's Free Greek Lessons

Development of Greek Philosophy ||| History of Greek Philosophy ||| History of Ancient Greece

Reference address : https://ellopos.net/elpenor/greek-texts/ancient-Greece/aristotle/soul.asp?pg=14