Aristotle, Second Part of the METAPHYSICS Complete

Translated by W. Ross.

Aristotle Bilingual Anthology  Studies  Aristotle in Print

II: 129 pages - You are on Page 49

"The one is opposed then to the many in numbers as measure to thing measurable; and these are opposed as are the relatives which are not from their very nature relatives. We have distinguished elsewhere the two senses in which relatives are so called:-(1) as contraries; (2) as knowledge to thing known, a term being called relative because another is relative to it. There is nothing to prevent one from being fewer than something, e.g. than two; for if one is fewer, it is not therefore few. Plurality is as it were the class to which number belongs; for number is plurality measurable by one, and one and number are in a sense opposed, not as contrary, but as we have said some relative terms are opposed; for inasmuch as one is measure and the other measurable, they are opposed. This is why not everything that is one is a number; i.e. if the thing is indivisible it is not a number. But though knowledge is similarly spoken of as relative to the knowable, the relation does not work out similarly; for while knowledge might be thought to be the measure, and the knowable the thing measured, the fact that all knowledge is knowable, but not all that is knowable is knowledge, because in a sense knowledge is measured by the knowable.-Plurality is contrary neither to the few (the many being contrary to this as excessive plurality to plurality exceeded), nor to the one in every sense; but in the one sense these are contrary, as has been said, because the former is divisible and the latter indivisible, while in another sense they are relative as knowledge is to knowable, if plurality is number and the one is a measure.

Part 7

"Since contraries admit of an intermediate and in some cases have it, intermediates must be composed of the contraries. For (1) all intermediates are in the same genus as the things between which they stand. For we call those things intermediates, into which that which changes must change first; e.g. if we were to pass from the highest string to the lowest by the smallest intervals, we should come sooner to the intermediate notes, and in colours if we were to pass from white to black, we should come sooner to crimson and grey than to black; and similarly in all other cases. But to change from one genus to another genus is not possible except in an incidental way, as from colour to figure. Intermediates, then, must be in the same genus both as one another and as the things they stand between.

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