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A Literal Translation, with Notes.
88 pages - You are on Page 10
DIONYSUS. Do you take me or shall I explain myself in some other way?
HERACLES. Oh! as far as the pea-soup is concerned, I understand marvellously well.
DIONYSUS. So great is the desire, which devours me, for Euripides.
HERACLES. But he is dead.[394]
DIONYSUS. There is no human power can prevent my going to him.
HERACLES. To the bottom of Hades?
DIONYSUS. Aye, and further than the bottom, an it need.
HERACLES. And what do you want with him?
DIONYSUS. I want a master poet; "some are dead and gone, and others are good for nothing."[395]
HERACLES. Is Iophon[396] dead then?
[394] Euripides, weary, it is said, of the ridicule and envy with which he was assailed in Athens, had retired in his old age to the court of Archelaus, King of Macedonia, where he had met with the utmost hospitality. We are assured that he perished through being torn to pieces by dogs, which set upon him in a lonely spot. His death occurred in 407 B.C., the year before the production of 'The Frogs.'
[395] This is a hemistich, the Scholiast says, from Euripides.
[396] The son of Sophocles. Once, during his father's lifetime, he gained the prize for tragedy, but it was suspected that the piece itself was largely the work of Sophocles himself. It is for this reason that Dionysus wishes to try him when he is dependent on his own resources, now that his father is dead. The death of the latter was quite recent at the time of the production of 'The Frogs,' and the fact lent all the greater interest to this piece.
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