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Do I need to read a lot of books - or even one?

Plato: Books can be your worst enemies

From: Plato, Phaedrus, translated by Benjamin Jowett  * Plato Home Page

Henrik Ibsen, A Doll's House  

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

More...


Page 8


Teaching needs dialogue and congeniality of souls

Soc. True, Phaedrus. But nobler far is the serious pursuit of the dialectician, who, finding a congenial soul, by the help of science sows and plants therein words which are able to help themselves and him who planted them, and are not unfruitful, but have in them a seed which others brought up in different soils render immortal, making the possessors of it happy to the utmost extent of human happiness.
Phaedr. Far nobler, certainly.


Recapitulation

Soc. And now, Phaedrus, having agreed upon the premises we decide about the conclusion.
Phaedr. About what conclusion?
Soc. About Lysias, whom we censured, and his art of writing, and his discourses, and the rhetorical skill or want of skill which was shown in them-these are the questions which we sought to determine, and they brought us to this point. And I think that we are now pretty well informed about the nature of art and its opposite.
Phaedr. Yes, I think with you; but I wish that you would repeat what was said.
Soc. Until a man knows the truth of the several particulars of which he is writing or speaking, and is able to define them as they are, and having defined them again to divide them until they can be no longer divided, and until in like manner he is able to discern the nature of the soul, and discover the different modes of discourse which are adapted to different natures, and to arrange and dispose them in such a way that the simple form of speech may be addressed to the simpler nature, and the complex and composite to the more complex nature-until he has accomplished all this, he will be unable to handle arguments according to rules of art, as far as their nature allows them to be subjected to art, either for the purpose of teaching or persuading;-such is the view which is implied in the whole preceding argument.


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Cf.  Rilke, Letter to a Young Poet | Kierkegaard, My work as an author
Emerson, Self-knowledge | Gibson - McRury, Discovering one's face | Emerson, We differ in art, not in wisdom

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