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What is beauty, what is art?

James Joyce: A portrait of the artist as a young man

Excerpts from Joyce's novel

Henrik Ibsen, A Doll's House  

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

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Page 14

"27 April: Old father, old artificer, stand me now and ever in good stead."

James Joyce, A portrait of the artist as a young man

The veiled windless hour had passed and behind the panes of the naked window the morning light was gathering. A bell beat faintly very far away. A bird twittered; two birds, three. The bell and the bird ceased: and the dull white light spread itself east and west, covering the world, covering the roselight in his heart.

Fearing to lose all, he raised himself suddenly on his elbow to look for paper and pencil. There was neither on the table; only the soupplate he had eaten the rice from for supper and the candlestick with its tendrils of tallow and its paper socket, singed by the last flame. He stretched his arm wearily towards the foot of the bed, groping with his hand in the pockets of the coat that hung there. His fingers found a pencil and then a cigarette packet. He lay back and, tearing open the packet, placed the last cigarette on the window ledge and began to write out the stanzas of the villanelle in small neat letters on the rough cardboard surface.


      A RESPONSE : Anand Bose, 'Glyph Agog' In 7 Ecclesia Street Time: 8 AM ... 'Joyce' represents an epic of living. Culture becomes reified abstracts, which flood into the individuality of 'ordinariness', recreating the world of the 'fantastic' in being human. The body becomes a castle of counts and countesses who throng into the throne of desire. ... Read Complete

 

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Cf. Goethe on Tragedy (in German) | Aristotle Anthology | Rilke, Letter to a Young Poet | Plato, Whom are we talking to? | Kierkegaard, My work as an author | Emerson, Self-knowledge | Gibson - McRury, Discovering one's face | Emerson, We differ in art, not in wisdom

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