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Do I need to explore human history, and how?
Emerson: Art and history as a private and universal adventure
From: Ralph Waldo Emerson, Essays, I: History
Page 2
The trivial experience of every day is always verifying some old prediction to us, and converting into things for us also the words and signs which we had heard and seen without heed. Let me add a few examples, such as fall within the scope of every man's observation, of trivial facts which go to illustrate great and conspicuous facts.
A lady, with whom I was riding in the forest, said to me, that the woods always seemed to her to wait, as if the genii who inhabit them suspended their deeds until the wayfarer has passed onward. This is precisely the thought which poetry has celebrated in the dance of the fairies which breaks off on the approach of human feet. The man who has seen the rising moon break out of the clouds at midnight, has been present like an archangel at the creation of light and of the world.
I remember that being abroad one summer day, my companion pointed out to me a broad cloud, which might extend a quarter of a mile parallel to the horizon, quite accurately in the form of a cherub as painted over churches,- a round block in the center which it was easy to animate with eyes and mouth, supported on either side by wide stretched symmetrical wings. What appears once in the atmosphere may appear often, and it was undoubtedly the archetype of that familiar ornament. I have seen in the sky a chain of summer lightning which at once revealed to me that the Greeks drew from nature when they painted the thunderbolt in the hand of Jove. I have seen a snow-drift along the sides of the stone wall which obviously gave the idea of the common architectural scroll to abut a tower.
First Page ||| Next PageCf. Rilke, Letter to a Young Poet | Plato, Whom are we talking to? | Kierkegaard, My work as an author | Emerson, Self-knowledge | Gibson - McRury, Discovering one's face | Emerson, We differ in art, not in wisdom | Joyce, Portrait of the Artist