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The Personal History And Experience Of David Copperfield The Younger

CHAPTER 7 :  MY 'FIRST HALF' AT SALEM HOUSE

IN PRINT

Henrik Ibsen, A Doll's House  


Page 2

Miserable little propitiators of a remorseless Idol, how abject we were to him! What a launch in life I think it now, on looking back, to be so mean and servile to a man of such parts and pretensions!

Here I sit at the desk again, watching his eye - humbly watching his eye, as he rules a ciphering-book for another victim whose hands have just been flattened by that identical ruler, and who is trying to wipe the sting out with a pocket-handkerchief. I have plenty to do. I don't watch his eye in idleness, but because I am morbidly attracted to it, in a dread desire to know what he will do next, and whether it will be my turn to suffer, or somebody else's. A lane of small boys beyond me, with the same interest in his eye, watch it too. I think he knows it, though he pretends he don't. He makes dreadful mouths as he rules the ciphering-book; and now he throws his eye sideways down our lane, and we all droop over our books and tremble. A moment afterwards we are again eyeing him. An unhappy culprit, found guilty of imperfect exercise, approaches at his command. The culprit falters excuses, and professes a determination to do better tomorrow. Mr. Creakle cuts a joke before he beats him, and we laugh at it, - miserable little dogs, we laugh, with our visages as white as ashes, and our hearts sinking into our boots.

Here I sit at the desk again, on a drowsy summer afternoon. A buzz and hum go up around me, as if the boys were so many bluebottles. A cloggy sensation of the lukewarm fat of meat is upon me (we dined an hour or two ago), and my head is as heavy as so much lead. I would give the world to go to sleep. I sit with my eye on Mr. Creakle, blinking at him like a young owl; when sleep overpowers me for a minute, he still looms through my slumber, ruling those ciphering-books, until he softly comes behind me and wakes me to plainer perception of him, with a red ridge across my back.

Here I am in the playground, with my eye still fascinated by him, though I can't see him. The window at a little distance from which I know he is having his dinner, stands for him, and I eye that instead. If he shows his face near it, mine assumes an imploring and submissive expression. If he looks out through the glass, the boldest boy (Steerforth excepted) stops in the middle of a shout or yell, and becomes contemplative. One day, Traddles (the most unfortunate boy in the world) breaks that window accidentally, with a ball. I shudder at this moment with the tremendous sensation of seeing it done, and feeling that the ball has bounded on to Mr. Creakle's sacred head.

Poor Traddles! In a tight sky-blue suit that made his arms and legs like German sausages, or roly-poly puddings, he was the merriest and most miserable of all the boys. He was always being caned - I think he was caned every day that half-year, except one holiday Monday when he was only ruler'd on both hands - and was always going to write to his uncle about it, and never did. After laying his head on the desk for a little while, he would cheer up, somehow, begin to laugh again, and draw skeletons all over his slate, before his eyes were dry. I used at first to wonder what comfort Traddles found in drawing skeletons; and for some time looked upon him as a sort of hermit, who reminded himself by those symbols of mortality that caning couldn't last for ever. But I believe he only did it because they were easy, and didn't want any features.

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