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The Personal History And Experience Of David Copperfield The Younger

CHAPTER 64 :  A LAST RETROSPECT

IN PRINT

Henrik Ibsen, A Doll's House  


Page 2

Who is this bent lady, supporting herself by a stick, and showing me a countenance in which there are some traces of old pride and beauty, feebly contending with a querulous, imbecile, fretful wandering of the mind? She is in a garden; and near her stands a sharp, dark, withered woman, with a white scar on her lip. Let me hear what they say.

'Rosa, I have forgotten this gentleman's name.'

Rosa bends over her, and calls to her, 'Mr. Copperfield.'

'I am glad to see you, sir. I am sorry to observe you are in mourning. I hope Time will be good to you.'

Her impatient attendant scolds her, tells her I am not in mourning, bids her look again, tries to rouse her.

'You have seen my son, sir,' says the elder lady. 'Are you reconciled?'

Looking fixedly at me, she puts her hand to her forehead, and moans. Suddenly, she cries, in a terrible voice, 'Rosa, come to me. He is dead!' Rosa kneeling at her feet, by turns caresses her, and quarrels with her; now fiercely telling her, 'I loved him better than you ever did!'- now soothing her to sleep on her breast, like a sick child. Thus I leave them; thus I always find them; thus they wear their time away, from year to year.

What ship comes sailing home from India, and what English lady is this, married to a growling old Scotch Croesus with great flaps of ears? Can this be Julia Mills?

Indeed it is Julia Mills, peevish and fine, with a black man to carry cards and letters to her on a golden salver, and a copper-coloured woman in linen, with a bright handkerchief round her head, to serve her Tiffin in her dressing-room. But Julia keeps no diary in these days; never sings Affection's Dirge; eternally quarrels with the old Scotch Croesus, who is a sort of yellow bear with a tanned hide. Julia is steeped in money to the throat, and talks and thinks of nothing else. I liked her better in the Desert of Sahara.

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