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Copperfield Text / Essays & Tools / Dickens Resources / Forum / Creative Writing | Donate |
The Personal History And Experience Of David Copperfield The Younger
CHAPTER 5 : I AM SENT AWAY FROM HOME
Page 14
As they looked at her, I looked at her also. Although it was a warm day, she seemed to think of nothing but the fire. I fancied she was jealous even of the saucepan on it; and I have reason to know that she took its impressment into the service of boiling my egg and broiling my bacon, in dudgeon; for I saw her, with my own discomfited eyes, shake her fist at me once, when those culinary operations were going on, and no one else was looking. The sun streamed in at the little window, but she sat with her own back and the back of the large chair towards it, screening the fire as if she were sedulously keeping IT warm, instead of it keeping her warm, and watching it in a most distrustful manner. The completion of the preparations for my breakfast, by relieving the fire, gave her such extreme joy that she laughed aloud - and a very unmelodious laugh she had, I must say.
I sat down to my brown loaf, my egg, and my rasher of bacon, with a basin of milk besides, and made a most delicious meal. While I was yet in the full enjoyment of it, the old woman of the house said to the Master:
'Have you got your flute with you?'
'Yes,' he returned.
'Have a blow at it,' said the old woman, coaxingly. 'Do!'
The Master, upon this, put his hand underneath the skirts of his coat, and brought out his flute in three pieces, which he screwed together, and began immediately to play. My impression is, after many years of consideration, that there never can have been anybody in the world who played worse. He made the most dismal sounds I have ever heard produced by any means, natural or artificial. I don't know what the tunes were - if there were such things in the performance at all, which I doubt - but the influence of the strain upon me was, first, to make me think of all my sorrows until I could hardly keep my tears back; then to take away my appetite; and lastly, to make me so sleepy that I couldn't keep my eyes open. They begin to close again, and I begin to nod, as the recollection rises fresh upon me. Once more the little room, with its open corner cupboard, and its square-backed chairs, and its angular little staircase leading to the room above, and its three peacock's feathers displayed over the mantelpiece - I remember wondering when I first went in, what that peacock would have thought if he had known what his finery was doomed to come to - fades from before me, and I nod, and sleep. The flute becomes inaudible, the wheels of the coach are heard instead, and I am on my journey. The coach jolts, I wake with a start, and the flute has come back again, and the Master at Salem House is sitting with his legs crossed, playing it dolefully, while the old woman of the house looks on delighted. She fades in her turn, and he fades, and all fades, and there is no flute, no Master, no Salem House, no David Copperfield, no anything but heavy sleep.
