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The Personal History And Experience Of David Copperfield The Younger

CHAPTER 29 :  I VISIT STEERFORTH AT HIS HOME, AGAIN

IN PRINT

Henrik Ibsen, A Doll's House  


Page 6

One other little circumstance connected with Miss Dartle I must not omit; for I had reason to remember it thereafter, when all the irremediable past was rendered plain. During the whole of this day, but especially from this period of it, Steerforth exerted himself with his utmost skill, and that was with his utmost ease, to charm this singular creature into a pleasant and pleased companion. That he should succeed, was no matter of surprise to me. That she should struggle against the fascinating influence of his delightful art - delightful nature I thought it then - did not surprise me either; for I knew that she was sometimes jaundiced and perverse. I saw her features and her manner slowly change; I saw her look at him with growing admiration; I saw her try, more and more faintly, but always angrily, as if she condemned a weakness in herself, to resist the captivating power that he possessed; and finally, I saw her sharp glance soften, and her smile become quite gentle, and I ceased to be afraid of her as I had really been all day, and we all sat about the fire, talking and laughing together, with as little reserve as if we had been children.

Whether it was because we had sat there so long, or because Steerforth was resolved not to lose the advantage he had gained, I do not know; but we did not remain in the dining-room more than five minutes after her departure. 'She is playing her harp,' said Steerforth, softly, at the drawing-room door, 'and nobody but my mother has heard her do that, I believe, these three years.' He said it with a curious smile, which was gone directly; and we went into the room and found her alone.

'Don't get up,' said Steerforth (which she had already done)' my dear Rosa, don't! Be kind for once, and sing us an Irish song.'

'What do you care for an Irish song?' she returned.

'Much!' said Steerforth. 'Much more than for any other. Here is Daisy, too, loves music from his soul. Sing us an Irish song, Rosa! and let me sit and listen as I used to do.'

He did not touch her, or the chair from which she had risen, but sat himself near the harp. She stood beside it for some little while, in a curious way, going through the motion of playing it with her right hand, but not sounding it. At length she sat down, and drew it to her with one sudden action, and played and sang.

I don't know what it was, in her touch or voice, that made that song the most unearthly I have ever heard in my life, or can imagine. There was something fearful in the reality of it. It was as if it had never been written, or set to music, but sprung out of passion within her; which found imperfect utterance in the low sounds of her voice, and crouched again when all was still. I was dumb when she leaned beside the harp again, playing it, but not sounding it, with her right hand.

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